Alla Master of the Legend of St. Lucy s Oljemålningar
Vilja ID Bild  Oljemålningar Från A to Z       Information 
92884 De liefdadigheid van de H. Nicolaas als jongeman.  De liefdadigheid van de H. Nicolaas als jongeman.   1486-1493 Medium oil on oak panel Dimensions 47 X 54.3 cm (18.5 X 21.4 in) cjr
85899 Lamentation  Lamentation   Date 1490s Medium Oil on oak panel Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in). cjr
90050 Lamentation  Lamentation   1490s Medium oil on oak panel Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in). cyf
92130 Legend of St Lucy  Legend of St Lucy   1480(1480) Medium oil on oak panel Dimensions Height: 79 cm (31.1 in). Width: 183 cm (72 in). cyf
92367 Mary, Queen of Heaven  Mary, Queen of Heaven   Date c. 1485-1500 Medium oil on panel Dimensions 199.2 X 161.8 cm (78.4 X 63.7 in) TTD
86205 Scene from the St Lucy Legend  Scene from the St Lucy Legend   Date 1480(1480) Medium Oil on wood cjr
90321 Scene from the St Lucy Legend  Scene from the St Lucy Legend   1480(1480) Medium oil on panel cyf
87835 Scenes from the Life of St Ursula  Scenes from the Life of St Ursula   second half of 15th century Medium Oil on wood cyf
90051 St Nicholas Altarpiece  St Nicholas Altarpiece   between 1486(1486) and 1493(1493) Medium oil on oak panel Dimensions Height: 101.5 cm (40 in). Width: 81.5 cm (32.1 in). cyf
91119 St Veronica with the Sudarium  St Veronica with the Sudarium   between 1480(1480) and 1500(1500) Medium oil on oak panel cyf
90006 Virgin and Child with an Angel  Virgin and Child with an Angel   between 1480(1480) and 1500(1500) Medium oil on oak panel cyf
Master of the Legend of St. Lucy
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.



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